Conclusion
This chapter has covered some of the basics for adjustingand matching footage. Obviously there are exceptional situations,
some of which occur all of the time: depth cueing,
changes in lighting during the shot, backlighting, interactive
light, and shadow. There are even cases in which you
can, to some degree, relight a shot in After Effects, introducing
light direction, exchanging day for night, and so
on. You’ll discover more in
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