Conclusion

Conclusion

Despite all attempts to make it standardized and automatic,
tracking remains as much art as it is science, which
is probably why most large effects facilities retain a staff of
match movers. Even if you’ve understood everything in this
chapter and followed along closely, working on your own
shots will open a process of trial and error.
The next chapter will delve further into the ways in which
After Effects can replicate what a physical camera can do,
expanding on some of the concepts touched on earlier in
the “2.5D Tracking” section.