Rendering and exporting changes

Rendering and exporting changes
Removed QuickTime export functionality from File > Export menu. To export a QuickTime movie, use the render queue: Rendering and
exporting overview
Removed ability to export AAF, OMF, PCX, Pixar, Filmstrip, ElectricImage, Softimage PIC, and PICT files: Supported output formats
Pressing spacebar no longer stops the render queue: Pause or stop rendering
Warning for mismatch in frame rate or dimensions between output module settings and other settings, and automatic correction of
mismatches: Warning for mismatch in frame rate or dimensions
Removed options dialog box for SGI output. The dialog box contained an option for using RLE (run-length encoding). This option is now
always on.
Filename extensions are now enforced on output: Specify filenames and locations for rendered output
Cineon output module renamed to DPX/Cineon, and DPX is now default. To create Cineon files, choose FIDO/Cineon 4.5 in the Cineon
Settings dialog box: Cineon and DPX footage items
Added warning message explaining that custom format settings will be reset to defaults when opening a project created in After Effects CS4
or earlier if the settings can’t be converted. This can happen with some output modules that reference FLV, F4V, H.264 (and variants),
MPEG-2 (and variants), or WMV: Create, manage, and edit output module templates
Added several output module templates for common formats, including F4V, FLV, H.264, and MPEG-2. Renamed some existing output
module templates for increased clarity: Create, manage, and edit output module templates
Removed some color depth options from output module settings that used very few bits per pixel (bpp) from output modules: Black & White
(1-bpp color), 4 Colors (2-bpp color), 16 Colors (4-bpp color), Thousands Of Colors (16-bpp color), and some grayscale options. This doesn’t
affect higher color depths that are expressed in bits per channel (bpc). Remaining are color depth options for 256 Colors (8-bpp color),
Millions Of Colors (8-bpc), Trillions Of Colors (16-bpc), and Floating Point (32-bpc): Output modules and output module settings
Removed overflow volumes feature.
Changed Segment Movie Files At preference to Segment Video-only Movie Files At preference: Segment settings
Removed some fractional audio sample rates and ability to set audio sample rate to an arbitrary, custom value in output module settings. If
you need to save audio with a sample rate other than those offered in After Effects, you can reprocess the audio in Adobe Audition: Output
module settings
Removed Edit > Edit In Adobe Audition command: Edit audio in Adobe Soundbooth